Australia's arts and entertainment sector is being offered another $135 million to recover from the coronavirus pandemic, but there are concerns the package is "too little and too late".
Most of the money - about $125 million - will top up an existing recovery fund for arts businesses and production companies, taking its value to more than $200 million.
The so-called RISE program is designed to support festivals, concerts, tours and productions.
There will also be an extra $10 million for Support Act, a charity that provides financial relief for artists, crew and music workers in crisis.
But with one in five arts workers still on JobKeeper payments, there are still concerns about what will happen when the wage subsidy scheme ends this Sunday.
Arts Minister Paul Fletcher said the latest package was aimed at getting shows back on the road.
"We want to see our performers and creators on stage, we want to see jobs for the backstage crews, we want to see front of house," he said on Thursday. "All of that depends upon, and can be stimulated and supported by this funding."
The fund guidelines will also be changed to allow more support for smaller organisations, venues and artistic groups.
Mr Fletcher said the changes were aimed at helping the music industry, which has been crying out for more help in the face of venue capacity limits and touring restrictions.
"Theatre is on the road but the music sector is lagging somewhat behind," he said.
The Australian Recording Industry Association said the government had listened to the sector's concerns.
"This new package comes at a time of dire need for the live music sector, which has suffered unprecedented loss from COVID-19 shutdowns and uncertainty for the past 12 months," ARIA chief executive Annabelle Herd said.
"Live music was one of the first sectors to be shut down and is still operating at well below capacity."
One of the major changes is reducing the minimum grant size under the program from $75,000 to $25,000.
The government is also making it easier for multiple businesses involved in one venture to access the program and put on a show, including with pre-production support.
In the music industry, it is common for a promoter to work with an artist, their manager, sound and lighting operators and other technicians in the lead-up to a concert or tour.
More than 80 per cent of the initial RISE funding has already been allocated, with recipients of the remaining 20 per cent to be announced soon.
However, Labor's arts spokesman Tony Burke said only a fraction of the grant funding had actually been spent.
"It's not for lack of applications, the government's just been incredibly slow getting money out the door," Mr Burke said.
'A weak package'
The union for Australia's arts and entertainment workers, the Media, Entertainment & Arts Alliance, said the package was "too little and too late".
"Although any support is welcome, this is a weak package," chief executive Paul Murphy said.
Mr Murphy said the union was "deeply concerned" it could be several months before any of the money reaches arts organisations.
"In the meantime, we face the prospect of companies going under and a plethora of layoffs when JobKeeper finishes. Mr Fletcher's announcement today will be of no comfort to those workers impacted."
The Greens' arts spokesperson Sarah Hanson-Young said the end of JobKeeper would "mean job losses within days".
Midnight Oil and Troy Cassar-Daley at the Enmore Theatre, in Sydney, Thursday, February 25, 2021. Source: AAP
She said JobKeeper must be extended "for as long as it is necessary during the pandemic".
"The May budget should also include a proper, targeted support package that ensures the future of a generation of artists and entertainers. Dripping out funding is not going to cut it. It won't keep workers in jobs, food on the table or their rent paid."
Mr Burke also wants JobKeeper payments extended for arts workers.
"A grants program will never be as effective as a wage subsidy program," he said.
Mr Burke also argued the program was bound to favour the biggest operators.
"It'll always be harder for the smaller end of the industry," he said.
Additional reporting by Evan Young.
