One of the most respected actors in American performance, Eli Wallach's career never quite matched his long list of stage credits in terms of quality, but he had nevertheless contributed some memorable characters to film. Movieg rs knew him best for a pair of similar characters - the cruel Mexican bandit Calvera, whose raids on a poor village prompt the formation of "The Magnificent Seven" (1960), and as the scheming, scene-stealing Tuco in Sergio Leone's groundbreaking spaghetti Western, "The Good, The Bad and the Ugly" (1967). But Wallach's career stretched back a decade prior and continued on well into the 21st century, during which he played almost every ethnic type and moral stripe under the sun. While his record on the big screen remained spotty, Wallach thrived on television with an Emmy-winning performance in "The Poppy is a Flower" (ABC, 1966) and a campy turn as Mr. Freeze on "Batman" (ABC, 1966-68). Over the years, he remained under the radar while performing onstage or in lesser-known pictures, only to resurface in projects like the revival of "The Diary of Anne Frank" (1978), the acclaimed miniseries "The Executioner's Song" (NBC, 1982) and Francis Ford Coppola's "The Godfather III" (1990), in which he had a memorable scene as a mobster who dies while eating poisoned cannoli. The nonagenarian delivered award-worthy small screen performances on "Studio 60 on the Sunset Strip" (NBC, 2006-07) and "Nurse Jackie" (Showtime, 2009-15), and by the time he died at the age of 98 on June 24, 2014, Wallach's place as one of Hollywood's most venerated character performers had been assured.